Tuesday, October 28, 2014

THE BIBLE: A BOOK OF WHEAT AND WEEDS



By Femi Aribisala

Paul’s statement that all scriptures are written by the inspiration of God is, itself, not inspired.

The bible is the most important book ever compiled. However, it is also one of the most dangerous. It is used to edify and it is also used to deceive. Christians like to pretend that the bible was written by one person. But in reality, it was written by 40 different authors from three continents in three different languages.

Jesus says: “The kingdom of heaven is like a man who sowed good seed in his field. But while everyone was sleeping, his enemy came and sowed weeds among the wheat.” (Matthew 13:24-25). This portrait of the kingdom is directly applicable to the bible. The bible is a book of wheat and weeds. In it, the truth of God is presented side-by-side with grievous misrepresentations of God.

JUSTIFICATION OF EVIL

The bible can be used (and has been used) to justify evil.

It tolerates incest:
“They got him drunk that night, and the older girl went in and had sexual intercourse with her father.” (Genesis 19:33).

It supports the selling of daughters:
“If a man sells his daughter as a slave, she shall not be freed at the end of six years.” (Exodus 21:7). It supports witch-hunting: “A witch must not be allowed to live.” (Exodus 22:18).

The bible supports pogroms:
“The God of Israel says: ‘Each man strap a sword to his side. Go back and forth through the camp from one end to the other, each killing his brother and friend and neighbour.’” (Exodus 32:27).

It supports discrimination against the handicapped:
“No man who has any defect may come near: no man who is blind or lame, disfigured or deformed.” (Leviticus 21:18).

The bible supports slavery:
“Your male and female slaves are to come from the nations around you; from them you may buy slaves.” (Leviticus 25:44).

It supports discrimination against women:
“Set the value of a male between the ages of twenty and sixty at fifty shekels of silver, according to the sanctuary shekel; and if it is a female, set her value at thirty shekels.” (Leviticus 27:3).

The bible supports human sacrifice:
“Not even a human being who has been unconditionally dedicated may be bought back; he must be put to death.” (Leviticus 27:29).

It supports capital punishment:
“The assembly took him outside the camp and stoned him to death, as the LORD commanded Moses.” (Numbers 15:36).

It supports drinking of blood:
“They shall not lie down until they have eaten what they capture and have drunk the blood of the slain!” (Numbers 23:24).

The bible supports the rape of virgins:
“Save for yourselves every girl who has never slept with a man.” (Numbers 31:18).

It supports infanticide:
“We destroyed all the people in every town we conquered- men, women, and children alike.” (Deuteronomy 3:6).

It supports religious intolerance:
if an idol-worshiper is found, Moses says: “take that person outside the town and stone him to death.” (Deuteronomy 17:2-5).

The bible supports genocide:
“When the LORD your God lets you capture the city, kill every man in it.” (Deuteronomy 20:16).

It supports “suicide-bombing:”
“Samson killed more people at his death than he had killed during his life.” (Judges 16:30).

It supports the abduction of women:
“While the girls were dancing, each man caught one and carried her off to be his wife.” (Judges 21:23).

It supports cannibalism:
“We boiled my son, and ate him.” (2 Kings 6:29).

It has anti-Semitic vitriol:
“(Jews) are against both God and man.” (1 Thessalonians 2:15).


BIBLE ERRORS

The bible is full of mistakes.

We are told Abraham had several sons (Genesis 25:1-6); then only two (Galatians 4:22); and then only one. (Hebrews 11:17).

Jacob was buried in a cave at Machpelah bought from Ephron the Hittite (Genesis 50:13); but then again he was buried in a sepulchre at Shechem bought from the sons of Hamor. (Acts 7:15-16).

Moses had only one wife. Nevertheless he had four different fathers-in-law; Reuel (Exodus 2:18/21); Jethro (Exodus 4:18); Raguel (Numbers 10:29); and Hobab. (Judges 4:11).

Jesse had eight sons with David as the eighth. (1 Samuel 17:12-14). Then again he had seven sons with David as the seventh. (1 Chronicles 2:13-15).

Saul’s daughter married to David is mistakenly said to be Merab instead of Michal. (1 Samuel 18:19).

Jehoshaphat, king of Judah (2 Chronicles 20:35), is mistakenly said to be king of Israel. (2 Chronicles 21:2).

Zechariah’s prophecy about the thirty pieces of silver (Zechariah 11:12-13) is mistakenly attributed to Jeremiah. (Matthew 27:9).

BIBLE CONTRADICTIONS

The bible is also full of contradictions.

Moses says God created the world in six days and rested on the seventh. (Exodus 20:11). But Isaiah says God is never tired and does not need to rest. (Isaiah 40:28).

God created man last, after creating animals. (Genesis 1:25-26). But then again he created man before creating animals. (Genesis 2:18-19).

The Nephilim giants were wiped out in the flood. (Genesis 6:4). Nevertheless, their descendants reappeared after the flood. (Numbers 13:33).

The peoples of the earth had different languages. (Genesis 10:5; Genesis 10:20). But then again they had only one language. (Genesis 11:1).

Moses says God asked the Israelites to build him a sanctuary so he can dwell among them. (Exodus 25:8). But Stephen insists God does not dwell in temples built by men. (Acts 7:48).

Moses says God changes his mind. (Exodus 32:14). But Balaam says he does not. (Numbers 23:19).

God is said to have blessed Jehu for destroying the house of Ahab. (2 Kings 10:30). But Hosea says God condemned him for doing so. (Hosea 1:4).

PAULINE CONFUSION

This goes to show that Paul’s statement that all scriptures are written by the inspiration of God (2 Timothy 3:16) is, itself, not inspired. Indeed, more discrepancies come from Paul himself than from any other person in the bible.

Paul says God is not the author of confusion. (1 Corinthians 14:33). But Moses says God confused the tongues at Babel. (Genesis 11:9).

Paul says God is “the God of peace.” (Romans 15:33). But Moses says he is “a man of war.” (Exodus 15:3).

Paul says God dwells in unapproachable light. (1 Timothy 6:16). But David says he dwells in thick darkness. (Psalm 18:11).

Paul says no one is righteous. (Romans 3:10). But Moses says God considered Noah to be righteous. (Genesis 7:1).

Paul says the law was given through angels. (Galatians 3:19). But Moses says God gave it to him directly. (Deuteronomy 10:1-5).

Paul says all men are condemned to death because of Adam’s sin. (Romans 5:12/19). But Moses says children are not to suffer for their parent’s sins. (Deuteronomy 24:16).

Paul says God justifies the ungodly. (Romans 4:5). But Moses and Solomon say he does not. (Exodus 23:7; Proverbs 17:15).

Thank God for Jesus.

We Christians make fools of ourselves by insisting, in spite of overwhelming evidence to the contrary, that everything in the bible is true. God raised one man to resolve this mess. He is the Amen; the one true and faithful witness. That man is Jesus.
Jesus is the final authority on things of God. Only Jesus’ words present the undiluted and unvarnished truth of God. (John 14:10; John 8:26). They should be put in our hearts, and not just left in a book. (Jeremiah 31:31-33).

http://www.vanguardngr.com/2014/10/bible-book-wheat-weeds/#sthash.aBnxyWQe.dpuf                                                                     

Sunday, October 26, 2014

A BEGINNING WITH NO END

Via Pj Staten
phpto credit: pinterest.com
...by Poetic Tee "Here, take a sip"

Life is a plant
A seed sown
Breaking earth, tender
Mature, flowering, fruiting
Tracking the seasons
See thou in this, any know?


Life is each season
Encroaching
One upon another
Then raging in full
Beautiful or dreadful
Winter, spring, summer, falls

Life is a journey
A step begins
Continues with another
Arriving a destination
Only to commence
Yet another.

Life is the moon
crescent thin
Growing full
till it zeniths
Then ungrowth sets in
Reducing it to naught.

Life is the sun
Starting off, east
At dawn
Peaking south at noon
Diving into twilight
Buried in the west.

Life is time
From 00:00:00 hour
Seconds tick in a race
Rushing through hours
Morning, noon, night
A perpetual circle, full.

Life is human, you and I
Babies at birth
Children at play
Men at work
Retired at old age
Gone at death.

Life is a fruit
Same water, in varieties
Delightful to taste
Humbly birthed
From a beauty displayed
Lost once fertilized.

Life is a ladder
You must take a rung step first
Which elevates to the next
Success lies at the last
Then, only other way
Is down, and out.

Life is a book
One page reads
Linking to two, hundreds
Chapter to chapter
The story unfolds
Soon its over, marked "Read".

Life is indeed a challenge
Full of lessons
Not taught in schools
Nor by folklore
But by mystery itself
Ponder on it, O you wise one.
(c)2014 Tijjani M. M.
All Rights Reserved

Life is indeed a challenge
A BEGINNING WITH NO END. ...by Poetic Tee "Here, take a sip" #Form:FreeVerse #Theme:Life #Stanza:Sextet

Life is a plant
A seed sown
Breaking earth, tender
Mature, flowering, fruiting
Tracking the seasons
See thou in this, any know?

Life is each season
Encroaching
One upon another
Then raging in full
Beautiful or dreadful
Winter, spring, summer, falls

Life is a journey
A step begins
Continues with another
Arriving a destination
Only to commence
Yet another.

Life is the moon
crescent thin
Growing full
till it zeniths
Then ungrowth sets in
Reducing it to naught.

Life is the sun
Starting off, east
At dawn
Peaking south at noon
Diving into twilight
Buried in the west.

Life is time
From 00:00:00 hour
Seconds tick in a race
Rushing through hours
Morning, noon, night
A perpetual circle, full.

Life is human, you and I
Babies at birth
Children at play
Men at work
Retired at old age
Gone at death.

Life is a fruit
Same water, in varieties
Delightful to taste
Humbly birthed 
From a beauty displayed
Lost once fertilized.

Life is a ladder
You must take a rung step first
Which elevates to the next
Success lies at the last
Then, only other way 
Is down, and out.

Life is a book
One page reads
Linking to two, hundreds
Chapter to chapter
The story unfolds
Soon its over, marked "Read".

Life is indeed a challenge
Full of lessons 
Not taught in schools
Nor by folklore
But by mystery itself
Ponder on it, O you wise one.

(c)2014 Tijjani M. M.
All Rights ReservedFull of lessons
Not taught in schools
Nor by folklore
But by mystery itself
Ponder on it, O you wise one.

(c)2014 Tijjani M. M.
All Rights Reserved

Thursday, October 23, 2014

LIGHTENING KISS #Haiku

...by Poetic Tee "Here, take a sip"


Lightening seeks thee
O sun, shy behind the clouds
Kissing earth instead.

(c)2014 tijjani m. m.
all rights reserved

Tuesday, October 21, 2014

SAHARA REPORTERS FALSE QURANIC VERSES SMEAR POST ON FACEBOOK

It was the cartoon image that first attracted my attention as I browsed down the News Feed on my Facebook (FB) wall the morning of Tuesday 21st October, 2014. I read with utter dismay the caption and the follow-up info of the mischievous and purposeful smear post on Islam’s sacred divine scripture, the Holy Quran by Sahara Reporters. For clicking the Like button on their FB Page, each of their postings would usually appear on my own wall, whether I am online or off.

Though the post was so insensitive, sickening and painfully disappointing, coming from a corporate media organization like Sahara Reporters, still it was not totally unexpected. What with the way the Islam and Muslims are being subjected to all kinds of smear campaigns by the world media to discredit the religion in the eyes and minds of virtually anybody who calls this our planet earth home. So, as usual whenever I come across stuffs like this on the internet, I quickly switched on my “tolerance” or “ignore” mode and move on.

But this one held captive my attention. I looked closer at the two figures on the image and saw the devil depicted in his customary red skin with his pointed horns, handing a book to another figure in green clothing ‘ninja style’, with a white star and moon on his hooded face. Clearly, what is being portrayed is that the devil is the one who is giving the book to the person, supposedly representing the Muslims. I actually smiled at the cheapness of the effort.

Then I looked at the itemized messages and my smile broadened further. Why? The messages they wrote had Qur’anic verses attached to each except one, it was a whole chapter they cited. Clearly, if anyone wants to make a fool of himself and look utterly stupid about lying against Allah, His Prophet Muhammad, the Quran or Islam, it would be to attach number of verses to the lies and say they are his proof for whatever he wish to communicate. And for those who are ever striving to tarnish Islam or its prophet Muhammad (peace be upon him), this is usually their waterloo. 

The reason being that, once a Quran can be gotten hold of, it is very easy for any to check and see for himself or herself and so verify the authenticity of the quoted statement/s. And this is quickly becoming the practice of the day, especially with the Quran being available online in its pure Arabic text and translations into several languages of the world. So, naturally I immediately searched for a Quran copy online and all the lies were instantly exposed.

Sadly for me, the post being up online for more than 2 weeks has simmered down. So, what I usually do to posts like this would not have the desired effect I would have wished. For, if it were in real time, many would have been exposed to the real mischief of the calumny originator/s. Their expectations are, and they are usually correct, most of those who would read the post would take it at face value and immediately accept what they see, most especially if it is about Islam, or about Nigeria. Very few would ever bother to cross check the facts, before believing them.

But like the saying goes, “Better late than never.” I still went ahead and dug up each verse they quoted of the Quran and posted it on the thread as a comment, hoping those who have earlier visited the Sahara Reporters post would receive so many notifications about it, they would curiously want to come back and see what was happening on the post again, that they are getting bombarded with so many new notifications from it. And as is always the case, virtually all the codes are quotes that are either outright falsehood, out of context or simply non-existent.

So upon extracting each of the referred verse, I decided to attach each gem to their “13 Doctrines”, so that the truth of the matter can be made clear for all to see that this is nothing, but cheap demeaning intellectual self-abuse by the persons who put it up. Hoping to play on people’s intelligence and abuse their readers' intellect as well. Sadly, their efforts has amounted to naught by the Grace of the One and Only Living God, Allaah Subhanahu Wa Ta’alaah.

Below is the actual post and the verses they referred to as their evidences. Please, take the trouble and read each verse carefully and verify for yourself, what it is they are accusing Islam of. I took the trouble to make little footnotes under each exposed verse to explain in some instances what circumstances necessitated the revelation of the verses during the life time of the man through whose mouth God Almighty made the divine revelations...

Quar'an Is The Most Satanic Book Ever Written

The 13 Doctrines Every Muslims Believe In:

1. You will kill non-Muslims to receive the 72 virgins - Quar'an 9:111
2..You will kill who leaves Islam - Quar'an 2:217, 4:89
3. Lie to strengthen Islam - Quar'an 3:5-4, 9:3, 16:106, 40:28
4. You will terrorize non-Muslims - Quar'an 8:12, 8:60
5. Kill Jews and Christians, if they do not convert or pay Jizya tax - Quar'an 9: 29
6. Crucify and amputate non-Muslims - Quar'an 8:12, 47:4
7.You can beat women - Quar'an 4:34
8. Steal from non-Muslims - Quar'an chapter 8
9. You can rape, marry and divorce pre-pubescent girls - Quar'an 65:4
10. You will kill and be killed for Allah - Quar'an 9:5 (verse of sword)
11. You will behead non-Muslims - Quar'an 8:12, 47:4
12. You can enslave for sex and work - Quar'an 4:3' 4:32' 33:50, 70:29-30
13. You will need 4 Muslim witnesses to prove a rape - Quar'an 24:4


1. You will kill non-Muslims to receive the 72 virgins - Quar'an 9:111

Q9:111. Lo! Allah hath bought from the believers their lives and their wealth because the Garden will be theirs: they shall fight in the way of Allah and shall slay and be slain. It is a promise which is binding on Him in the Torah and the Gospel and the Qur'an. Who fulfilleth His covenant better than Allah? Rejoice then in your bargain that ye have made, for that is the supreme triumph.

*Let any who has a rational mind analyze this. Where does it say anything about killing non-Muslims and 72 virgins?

2..You will kill who leaves Islam - Quar'an 2:217, 4:89

Q2:217. They question thee (O Muhammad) with regard to warfare in the sacred month. Say: Warfare therein is a great (transgression), but to turn (men) from the way of Allah, and to disbelieve in Him and in the Inviolable Place of Worship, and to expel His people thence, is a greater with Allah; for persecution is worse than killing. And they will not cease from fighting against you till they have made you renegades from your religion, if they can. And whoso becometh a renegade and dieth in his disbelief: such are they whose works have fallen both in the world and the Hereafter. Such are rightful owners of the Fire: they will abide therein.

*Let all this verse with careful comprehension please. Where does it say Muslims should kill any who leaves Islam?

Q4:89. They long that ye should disbelieve even as they disbelieve, that ye may be upon a level (with them). So choose not friends from them till they forsake their homes in the way of Allah; if they turn back (to enmity) then take them and kill them wherever ye find them, and choose no friend nor helper from among them,

*And here is the other verse referred. Pls note the conditions attached to the injunctions to safeguard the Muslims from being unjust. Yet, mischief makers just say things stripping it of its essence. Sad...)

3. Lie to strengthen Islam - Quar'an 3:5-4, 9:3, 16:106, 40:28

Q3:4 Aforetime, for a guidance to mankind; and hath revealed the Criterion of right and wrong. Lo! those who disbelieve the revelations of Allah, theirs will be a heavy doom. Allah is Mighty, Able to Requite (the wrong).
Q3:5 Lo! nothing in the earth or in the heavens is hidden from Allah.

*Read these 2 verses, can any see where is says "Lie to strengthen Islam"? Nothing can change truth to a lie.

Q8:12 When thy Lord inspired the angels, (saying): I am with you. So make those who believe stand firm. I will throw fear into the hearts of those who disbelieve. Then smite the necks and smite of them each finger.

* Here God addresses the ANGELS and said HE Himself will throw fear into the heart of any disbeliever in HIM. How HE does it, nobody knows. And yet, Muslims are being accused of terrorizing non-Muslims.

Q40:28 And a believing man of Pharaoh's family, who hid his faith, said: Would ye kill a man because he saith: My Lord is Allah, and hath brought you clear proofs from your Lord? If he is lying, then his lie is upon him; and if he is truthful, then some of that wherewith he threateneth you will strike you. Lo! Allah guideth not one who is a prodigal, a liar.

* Readers, please judge for yourselves the immense mischief intended by the person/s that put this cartoon up. It is a calculated play on your willingness to verify their lies.

Q16:106 Whoso disbelieveth in Allah after his belief - save him who is forced thereto and whose heart is still content with the Faith - but whoso findeth ease in disbelief: On them is wrath from Allah. Theirs will be an awful doom.

* This verse too has nothing to do with "Lie to strengthen Islam", showing sheer ignorance by those who made up this image and accompanying tarnish. They simply do not even know what they are doing.

Q9:3 And a proclamation from Allah and His messenger to all men on the day of the Greater Pilgrimage that Allah is free from obligation to the idolaters, and (so is) His messenger. So, if ye repent, it will be better for you; but if ye are averse, then know that ye cannot escape Allah. Give tidings (O Muhammad) of a painful doom to those who disbelieve.

* Again where does it say in this verse, Muslims should "Lie to strengthen Islam"? It is clearly a case of "Lie to smear Islam" in you evil poster here.

4. You will terrorize non-Muslims - Quar'an 8:12, 8:60

Q8:12 When thy Lord inspired the angels, (saying): I am with you. So make those who believe stand firm. I will throw fear into the hearts of those who disbelieve. Then smite the necks and smite of them each finger.

* Ditto as above.

Q8:60 Make ready for them all thou canst of (armed) force and of horses tethered, that thereby ye may dismay the enemy of Allah and your enemy, and others beside them whom ye know not. Allah knoweth them. Whatsoever ye spend in the way of Allah it will be repaid to you in full, and ye will not be wronged.

* In this verse, all that is being said to the Muslims is for them to be in a state of alert and preparedness against any attack from their enemies. Now, is that a bad advice to give to members of any group? If any considers himself or herself an enemy of Islam, God's injunction to His believers is to be wary of him or her. Shouldn't that be the case?

5. Kill Jews and Christians, if they do not convert or pay Jizya tax - Quar'an 9: 29

Q9:29 Fight against such of those who have been given the Scripture as believe not in Allah nor the Last Day, and forbid not that which Allah hath forbidden by His messenger, and follow not the Religion of Truth, until they pay the tribute readily, being brought low.

* An abrogated verse against those who are fully aware of the truth, but choose to propagate and promote vices on earth, that was revealed in the formative days of the religion, which is no more with the revelation of the THERE IS NO COMPULSION IN RELIGION verse in the Quran. Any is thus free to practice his or her religion of choice. Death will surely ensure that to God is the final return.

6. Crucify and amputate non-Muslims - Quar'an 8:12, 47:4

Q8:12 When thy Lord inspired the angels, (saying): I am with you. So make those who believe stand firm. I will throw fear into the hearts of those who disbelieve. Then smite the necks and smite of them each finger.

* This we have already explained above. The matter is with God, not man.

7.You can beat women - Quar'an 4:34

Q4:34 Men are in charge of women, because Allah hath made the one of them to excel the other, and because they spend of their property (for the support of women). So good women are the obedient, guarding in secret that which Allah hath guarded. As for those from whom ye fear rebellion, admonish them and banish them to beds apart, and scourge them. Then if they obey you, seek not a way against them. Lo! Allah is ever High, Exalted, Great.

* The beauty about Islam is that it is not a hypocritical religion. Neither is it bias, trying to please some and displease others among it adherents. It is a complete way of life, touching on every aspect of man on earth. It is simple, plain and straight to the point. Let all who have a sense of fairness and justice read the above verse and see the condition/s that would necessitate such an action, then the step by step approach a man is instructed to take before he gets to the stage of beating a woman. And finally he is to abide by the teachings of Muhammad peace be upon him, as to the manner of beating Allah meant. It is NOT THE ABUSIVE PHYSICAL BEATING! NO! "Then what type of beating is it?" Using the lapel of your cloth, hit her lightly, not anywhere sensitive, nor to hurt her skin. This is suppose to be symbolic not actual, that the wife might know that her husband is truly annoyed with her. Yet, many a man take the abuse of women according to his whims and attribute it to Islam. Besides, there more women abused outside Islam than in it.

8. Steal from non-Muslims - Quar'an chapter 8

* In this one, only the Chapter 8 is stated, the particular verse is not. One wonders why? Or do they mean the whole chapter instructs this act? What absurdity!!! So, we await a reference point to easily God Willing debunk this lie as well.

9. You can rape, marry and divorce pre-pubescent girls - Quar'an 65:4

Q65:4 And for such of your women as despair of menstruation, if ye doubt, their period (of waiting) shall be three months, along with those who have it not. And for those with child, their period shall be till they bring forth their burden. And whosoever keepeth his duty to Allah, He maketh his course easy for him.

* This verse is part of the verses that explains how to treat divorce cases. When a wife is divorce due to one reason or another, being human and so imperfect, how should she be treated to ensure she is not harmed in anyway. She's not to be chased out of her home until she observe 3 menstrual cycle to ensure she's not with child, to avoid marry into another family with someone elses responsibilities. Yet, someone who is not knowledgeable in a quest to tarnish Islam is citing the to fool people into thinking Islam isn't the best, the only true religion.

No need to swear or call the wrath of God on anybody. We must simply bring forth truth for all to bear winess. Truth will always prevail against falsehood.

10. You will kill and be killed for Allah - Quar'an 9:5 (verse of sword)

Q9:5 Then, when the sacred months have passed, slay the idolaters wherever ye find them, and take them (captive), and besiege them, and prepare for them each ambush. But if they repent and establish worship and pay the poor-due, then leave their way free. Lo! Allah is Forgiving, Merciful.

* This is a verse extracted from a series of verses in which God revealed to Muhammad pbuh how best to deal with a case of breach of trust, a violation of the treaty by the idolators, entered between the prophet and them during his time. In isolation, it looks as presented, but accompanied by verses before and after it, it makes for any to see it was a wise approach to the matter.

To appreciate the full stort, here are the full verses presented below. Read them with careful compression and see for yourself.

Q9:1-17

Freedom from obligation (is proclaimed) from Allah and His messenger toward those of the idolaters with whom ye made a treaty. (1)

Travel freely in the land four months, and know that ye cannot escape Allah and that Allah will confound the disbelievers (in His guidance). (2)

And a proclamation from Allah and His messenger to all men on the day of the Greater Pilgrimage that Allah is free from obligation to the idolaters, and (so is) His messenger. So, if ye repent, it will be better for you; but if ye are averse, then know that ye cannot escape Allah. Give tidings (O Muhammad) of a painful doom to those who disbelieve, (3)

Excepting those of the idolaters with whom ye (Muslims) have a treaty, and who have since abated nothing of your right nor have supported anyone against you. (As for these), fulfil their treaty to them till their term. Lo! Allah loveth those who keep their duty (unto Him).

(4) Then, when the sacred months have passed, slay the idolaters wherever ye find them, and take them (captive), and besiege them, and prepare for them each ambush. But if they repent and establish worship and pay the poor-due, then leave their way free. Lo! Allah is Forgiving, Merciful. (5)

And if anyone of the idolaters seeketh thy protection (O Muhammad), then protect him so that he may hear the Word of Allah, and afterward convey him to his place of safety. That is because they are a folk who know not. (6)

How can there be a treaty with Allah and with His messenger for the idolaters save those with whom ye made a treaty at the Inviolable Place of Worship? So long as they are true to you, be true to them. Lo! Allah loveth those who keep their duty. (7)

How (can there be any treaty for the others) when, if they have the upper hand of you, they regard not pact nor honour in respect of you? They satisfy you with their mouths the while their hearts refuse. And most of them are wrongdoers. (8)

They have purchased with the revelations of Allah a little gain, so they debar (men) from His way. Lo! evil is that which they are wont to do. (9)

And they observe toward a believer neither pact nor honour. These are they who are transgressors. (10)

But if they repent and establish worship and pay the poor-due, then are they your brethren in religion. We detail Our revelations for a people who have knowledge. (11)

And if they break their pledges after their treaty (hath been made with you) and assail your religion, then fight the heads of disbelief - Lo! they have no binding oaths - in order that they may desist. (12)

Will ye not fight a folk who broke their solemn pledges, and purposed to drive out the messenger and did attack you first? What! Fear ye them? Now Allah hath more right that ye should fear Him, if ye are believers (13)

Fight them! Allah will chastise them at your hands, and He will lay them low and give you victory over them, and He will heal the breasts of folk who are believers. (14)

And He will remove the anger of their hearts. Allah relenteth toward whom He will. Allah is Knower, Wise. (15)

Or deemed ye that ye would be left (in peace) when Allah yet knoweth not those of you who strive, choosing for familiar none save Allah and His messenger and the believers? Allah is Informed of what ye do. (16)

It is not for the idolaters to tend Allah's sanctuaries, bearing witness against themselves of disbelief. As for such, their works are vain and in the Fire they will abide. (17)

He only shall tend Allah's sanctuaries who believeth in Allah and the Last Day and observeth proper worship and payeth the poor-due and feareth none save Allah. For such (only) is it possible that they can be of the rightly guided. (18)

*Now, these are the verses associated with the full story. This is for those who have the ability to fully comprehend and ponder over the matter. Once again, check carefully and you'll see conditions and clauses attached guiding the Prophet and Muslims' conduct in that and other matters of conflict of interest. Islam as a community must have tenets to abide by in running it affairs. It is all in the Quran.

11. You will behead non-Muslims - Quar'an 8:12, 47:4

Q8:12 Again as explained above.

Q47:4 "Now when ye meet in battle those who disbelieve, then it is smiting of the necks until, when ye have routed them, then making fast of bonds; and afterward either grace or ransom till the war lay down its burdens. That (is the ordinance). And if Allah willed He could have punished them (without you) but (thus it is ordained) that He may try some of you by means of others. And those who are slain in the way of Allah, He rendereth not their actions vain.

* A verse that instruct in the act and strategy of war. NOT DURING NORMAL, PEACEFUL CO-EXISTENCE, as we are won't to believe by those who posted this slanderous image. In times of war, terrible things happen, soldiers of the two conflicting sides clash and engage in fierce battle. This verse is telling Muslim troops how to behave in times of warring encounter. Yet, the impression being made by this post is like this verse is instructive at all times. CLEARLY, IT IS NOT! And giving that impression by anyone is nothing, but a calculated attempt to play on the ignorance of people about Islam.

12. You can enslave for sex and work - Quar'an 4:3' 4:32' 33:50, 70:29-30


Q4:3 And if ye fear that ye will not deal fairly by the orphans, marry of the women, who seem good to you, two or three or four; and if ye fear that ye cannot do justice (to so many) then one (only) or (the captives) that your right hands possess. Thus it is more likely that ye will not do injustice.

* Can anyone imagine this please? This is the verse that permits polygamy (for a man marrying up to 4 wives, with stringent conditions and a final advice for him to marry only 1 if he fears being incapable of doing justice to the 4. And yet, this is what is cited by those who created this smear campaign as an accusation of enslavement, sex and work.

Q4:32 And covet not the thing in which Allah hath made some of you excel others. Unto men a fortune from that which they have earned, and unto women a fortune from that which they have earned. (Envy not one another) but ask Allah of His bounty. Lo! Allah is ever Knower of all things.

* And what has this verse got to do with "enslavement for sex and work"?

Q33:50 O Prophet! Lo! We have made lawful unto thee thy wives unto whom thou hast paid their dowries, and those whom thy right hand possesseth of those whom Allah hath given thee as spoils of war, and the daughters of thine uncle on the father's side and the daughters of thine aunts on the father's side, and the daughters of thine uncle on the mother's side and the daughters of thine aunts on the mother's side who emigrated with thee, and a believing woman if she give herself unto the Prophet and the Prophet desire to ask her in marriage - a privilege for thee only, not for the (rest of) believers - We are Aware of that which We enjoined upon them concerning their wives and those whom their right hands possess - that thou mayst be free from blame, for Allah is ever Forgiving, Merciful.

* This verse deals with women that are lawful for a man to marry. This is to safeguard Muslims from incest, unlawful sexual pursuits with all kinds of women. So it is clearly stated whom amongst women one can sleep with as a wife, in marriages only.

Q70:29 And those who preserve their chastity

* Keeping away from unlawful sexual intercourse

Q70:30 Save with their wives and those whom their right hands possess, for thus they are not blameworthy;

* Once again, where is sexual enslavement or work enslavement here?

13. You will need 4 Muslim witnesses to prove a rape - Quar'an 24:4

Q24:4 And those who accuse honourable women, but bring not four witnesses, scourge them (with) eighty stripes and never (afterward) accept their testimony - They indeed are evil-doers –

* Unbelievable. Even this verse that is revealed to PROTECT WOMEN FROM BEING WRONGLY ACCUSED OF FORNICATION, women whom it is demanded that 4 witnesses to the accusation be brought forth if indeed the accusers are telling the truth against such women, is here submitted as a tarnish against Islam? All because nobody ever bothers to follow up and check on the veracity of such claims. Sadly women, whom this verse is aimed to protect are the ones most likely to hate Islam more for such a gargantous falsehood.

And now, is anybody left in doubt as to the purpose of this evil image? Let the one with a sound frame of mind objectively reflect on this post.

May Allah SWT Shield us from the evil scheme of mischief makers, amen.


© 2014 Tijjani M. M.
All Rights Reserved.

Monday, October 20, 2014

ALIYU JALAL'S QOUTE

The mind that find its way to wild places is the poet's; the mind that never find its way back is the lunatic's. - Aliyu Jalal

Sunday, October 19, 2014

We Are Here ~ Alicia Keys

https://scontent-a.xx.fbcdn.net/.../10504325...
We Are Here - Alicia Keys - Lyrics


"We Are Here" was written by Lilly Jr, Harold Spencer / Brothers, Jr., Kerry / Augello-cook, Alicia J / Frierson, Johnnie / Cross, Mary Lou.

We are here
We are here for all of us
We are here for all of us
It's why we are here, why we are here
We are here

Bombs over Baghdad
Tryna get something we never heard
Let's start with a good dad
So real but it's so sad
And while we're burning this incense
We gon' pray for the innocent
Cause right now it don't make sense
Right now it don't make sense

Let's talk about chi-town
Let's talk about Gaza
Let's talk about
Let's talk about Israel
Right now it is real
Let's talk about
Let's talk Nigeria, and the mass hysteria
Our souls are brought together so that we could love each other brother

We are here
We are here for all of us
We are here for all of us
It's why we are here, why we are here
We are here

No guns made in Harlem
But yet Crime is a problem
He wanna shine, he wanna rob 'em
Single mother, where they come from?
How we gonna save the nation
With no support for education
Cause right now it don't make sense
Right now it don't make sense

Let's talk about our part
My heart touch your heart
Let's talk about
Let's talk about living
Had enough of dying
Not what we all about
Let's do more giving
Do more forgiving, yeah
Our souls are brought together so that we can love each other sister

We are here
We are here for all of us
We are here for all of us
It's why we are here, why we are here

We are here
We are here
We are here for all of us
We are here for all of us
It's why we are here, why we are here
We are here

Oh oh oh oh
Oh oh oh oh

We are here
We are here for all of us
We are here for all of us
It's why we are here, why we are here
We are here

We are here
We are here for all of us
We are here for all of us
It's why we are here, why we are here
We are here


Published by
Lyrics © EMI Music Publishing, Universal Music Publishing Group

FIONA LOVATT'S QUOTE

I am reminded that being able to write legibly is a key to feeling good as a writer. - Fiona lovatt

Friday, October 17, 2014

TIJJANI'S QUOTE 16

Poetry is minimalism of words usage, resulting in maximalism of meanings - Tijjani M. M.

TIJJANI QUOTE 15

Always learn how to do something, before you do it. - Tijjani M. M.

TIJJANI'S QUOTE 14

Knowing always starts somewhere. So, read. - Tijjani M. M.

POET, HOW MANY POEM TYPES DO YOU KNOW?

...by Tijjani Muhammad Musa


POET, HOW MANY POEM TYPES DO YOU KNOW? http://goo.gl/4F0PKz
...by Tijjani Muhammad Musa 

Most poets start off in their toddling years writing what they assume to be "poems" with a free verse, and even that most are unaware that's what it is called. Many end up in that category without taking the trouble of learning more about their unique and special gift. 

A lot of poets or even those aspiring to be one, often write or come across one form of poem or another without actually knowing the type or style it is. Whereas they are suppose to know automatically which type of poem it is from its format the moment they see the way the poem is laid out. But most often both the "poets" and the readers can be found sailing in the sane boat as far as knowing the difference is concerned.

Like the proverbial saying 'In the city of the blind, the one-eyed man is king', and so, upon showing his scribbles he or she would bask in the praises and accolades of laymen, who usually would appreciate anything with the slightest, remote resemblance to poetry.

You hear titles like "king of poetry, master poet, Sire, maestro, champion poet etc" and words like "classic, brilliant, incredible, unbelievable, outstanding, amazing, etc" and similar words being poured by admiring friends, classmates, colleagues, non-poets etc in encouragement upon someone who knows next to nothing about poetry, just because he or she has potential, not yet or refused to be further developed.

Don't get it wrong, there is nothing wrong with encouraging someone who has talent to work on it to perfection. But, sadly the trend now is most of such raw, unrefined talented individuals let such encouragement get into their heads, assuming they are "good to go" anywhere as far as their assume prowess is concerned. Only for them to be subjected to real criticism and they go gaga.

Their immediate responses to such critiques, observations, corrections and so on can range from outright silence, ignoring questions, giving excuses where there are none, to retaliation, raining abuses, condemnation, ganging up, hatred and so on. Then finally, sobering up and the realization that there is work ahead, which most are unwilling or incapable of handling.

Sadly, some of them after such a sour, unexpected critical analysis by those who are learned about that talent of theirs, having their pumped up pride and ego punctured, the false confidence would crash, hurting them severely and badly, and instead of recovering, recuperating and taking such criticism as a challenge, then strive to learn their art properly, they tend to let such an encounter affect them negatively, making them abandon its practice entirely or it can even affect them "fatally", leading to their hating the ability in them or leading to depression and even suicide.

Well, so much for preambles. One of the best thing to do towards addressing any case of ignorance is to seek knowledge about it. What better way to know about anything than to "Read". As someone said, for any to become a good poet, one ought to have read at least 100 poems. 

Permit me to add that for any to consider himself or herself a poet in the first place, he or she should know at least ten (10), yes just 10 different type of poems. Let that be the starting point for any aspiring poet.

Now, here are over fifty (50) styles of poem writings written by Gary R. Hess for you to add to those you know already or for you to know afresh, if you know none at all.

Knowing always starts somewhere. So, read... http://goo.gl/4F0PKz
Most poets start off in their toddling years writing what they assume to be "poems" with a free verse, and even that most are unaware that is it is called. Many end up in that category without taking the trouble of learning more about their unique and special gift.

A lot of poets or even those aspiring to be one, often write or come across one form of poem or another without actually knowing the type or style it is. Whereas they are suppose to know automatically which type of poem it is from its format the moment they see the way the poem is laid out. But most often both the "poets" and the readers can be found sailing in the sane boat as far as knowing the difference is concerned.

Like the proverbial saying 'In the city of the blind, the one-eyed man is king', and so, upon showing his scribbles he or she would bask in the praises and accolades of laymen, who usually would appreciate anything with the slightest, remote resemblance to poetry.

You hear titles like "king of poetry, master poet, Sire, maestro, champion poet etc" and words like "classic, brilliant, incredible, unbelievable, outstanding, amazing, etc" and similar words being poured by admiring friends, classmates, colleagues, non-poets etc in encouragement upon someone who knows next to nothing about poetry, just because he or she has potential, not yet or refused to be further developed.

Don't get it wrong, there is nothing wrong with encouraging someone who has talent to work on it to perfection. But, sadly the trend now is most of such raw, unrefined talented individuals let such encouragement get into their heads, assuming they are "good to go" anywhere as far as their assume prowess is concerned. Only for them to be subjected to real criticism and they go gaga.

Their immediate responses to such critiques, observations, corrections and so on can range from outright silence, ignoring questions, giving excuses where there are none, to retaliation, raining abuses, condemnation, ganging up, hatred and so on. Then finally, sobering up and the realization that there is work ahead, which most are unwilling or incapable of handling.

Sadly, some of them after such a sour, unexpected critical analysis by those who are learned about that talent of theirs, having their pumped up pride and ego punctured, the false confidence would crash, hurting them severely and badly, and instead of recovering, recuperating and taking such criticism as a challenge, then strive to learn their art properly, they tend to let such an encounter affect them negatively, making them abandon its practice entirely or it can even affect them "fatally", leading to their hating the ability in them or leading to depression and even suicide.

Well, so much for preambles. One of the best thing to do towards addressing any case of ignorance is to seek knowledge about it. What better way to know about anything than to "Read". As someone said, for any to become a good poet, one ought to have read at least 100 poems.

Permit me to add that for any to consider himself or herself a poet in the first place, he or she should know at least ten (10), yes just 10 different type of poems. Let that be the starting point for any aspiring poet.

Now, here are over fifty (50) styles of poem writings written by Gary R. Hess for you to add to those you know already or for you to know afresh, if you know none at all.

Knowing always starts somewhere. So, read...

50 POEM TYPES
Written by Gary R. Hess

1. ABC: A poem that has five lines and creates a mood, picture, or feeling. Lines 1 through 4 are made up of words, phrases or clauses while the first word of each line is in alphabetical order. Line 5 is one sentence long and begins with any letter.

2. ACROSTIC: Poetry that certain letters, usually the first in each line form a word or message when read in a sequence. Example: Edgar Allan Poe’s “A Valentine”.

3. BALLAD: A poem that tells a story similar to a folk tale or legend which often has a repeated refrain. Read more about ballads.
Ballade: Poetry which has three stanzas of seven, eight or ten lines and a shorter final stanza of four or five. All stanzas end with the same one line refrain.

4. BLANK VERSE: A poem written in unrhymed iambic pentameter and is often unobtrusive. The iambic pentameter form often resembles the rhythms of speech. Example: Alfred Tennyson’s “Ulysses”.

5. BIO: A poem written about one self’s life, personality traits, and ambitions. Example: Jean Ingelow’s “One Morning, Oh! So Early”.

6. BURLESQUE: Poetry that treats a serious subject as humor. Example: E. E. Cummings “O Distinct”.

7. CANZONE: Medieval Italian lyric style poetry with five or six stanzas and a shorter ending stanza.

8. CARPE DIEM: Latin expression that means ‘seize the day.’ Carpe diem poems have a theme of living for today.

9. CINQUAIN: Poetry with five lines. Line 1 has one word (the title). Line 2 has two words that describe the title. Line 3 has three words that tell the action. Line 4 has four words that express the feeling, and line 5 has one word which recalls the title. Read more about cinquain poetry.

10. CLASSICISM: Poetry which holds the principles and ideals of beauty that are characteristic of Greek and Roman art, architecture, and literature.

11. CONCRETE: Also known as “size poetry”. Concrete poetry uses typographical arrangements to display an element of the poem. This can either be through re-arrangement of letters of a word or by arranging the words as a shape. Read more about concrete poetry.

12. COUPLET: This type of poem is two lines which may be rhymed or unrhymed. Example: Walt Whitman’s “To You”.

13. DRAMATIC MONOLOGUE: A type of poem which is spoken to a listener. The speaker addresses a specific topic while the listener unwittingly reveals details about him/herself.

14. ELEGY: A sad and thoughtful poem about the death of an individual. Example: Gary R. Hess’s “1983”.

15. EPIC: An extensive, serious poem that tells the story about a heroic figure.

16. EPIGRAM: A very short, ironic and witty poem usually written as a brief couplet or quatrain. The term is derived from the Greek epigramma meaning inscription.

17. EPITAPH: A commemorative inscription on a tomb or mortuary monument written to praise the deceased. Example: Ben Jonson’s “On My First Sonne”.

18. EPITHALAMIUM (Epithalamion): A poem written in honor of the bride and groom.

19. FREE VERSE (vers libre): Poetry written in either rhyme or unrhymed lines that have no set fixed metrical pattern.

20. FOUND: Poetry created by taking words, phrases, and passages from other sources and re-framing them by adding spaces, lines, or by altering the text with additions or subtractions.

21. GHAZAL: A short lyrical poem that arose in Urdu. It is between 5 and 15 couplets long. Each couplet contains its own poetic thought but is linked in rhyme that is established in the first couplet and continued in the second line of each pair. The lines of each couplet are equal in length. Themes are usually connected to love and romance. The closing signature often includes the poet’s name or allusion to it.

22. HAIKU: A Japanese poem composed of three unrhymed lines of five, seven, and five morae, usually containing a season word. Read more about haiku poetry.

23. HORATIAN ODE: Short lyric poem written in two or four-line stanzas, each with its the same metrical pattern, often addressed to a friend and deal with friendship, love and the practice of poetry. It is named after its creator, Horace.

24. IAMBIC PENTAMETER: One short syllable followed by one long one five sets in a row. Example: la-LAH la-LAH la-LAH la-LAH la-LAH. Used extensively in sonnets.

25. IDYLL (Idyl): Poetry that either depicts a peaceful, idealized country scene or a long poem telling a story about heroes of a bye gone age.

26. IRREGULAR (Pseudo-Pindaric or Cowleyan) ode: Neither the three part form of the pindaric ode nor the two or four-line stanza of the Horatian ode. It is characterized by irregularity of verse and structure and lack of correspondence between the parts.

27. ITALIAN SONNET: A sonnet consisting of an octave with the rhyme pattern abbaabba followed by six lines with a rhyme pattern of cdecde or cdcdcd. Read more about Italian sonnets.

28. LAY: A long narrative poem, especially one that was sung by medieval minstrels.

29. LIMERICK: A short sometimes vulgar, humorous poem consisting of five anapestic lines. Lines 1, 2, and 5 have seven to ten syllables, rhyme and have the same verbal rhythm. The 3rd and 4th lines have five to seven syllables, rhyme and have the same rhythm.

30. LIST: A poem that is made up of a list of items or events. It can be any length and rhymed or unrhymed.

31.LYRIC: A poem that expresses the thoughts and feelings of the poet. Many songs are written using this type of writing.

32. MEMORIAM STANZA: A quatrain in iambic tetrameter with a rhyme scheme of abba — named after the pattern used by Lord Tennyson

33. NAME: Poetry that tells about the word. It uses the letters of the word for the first letter of each line.

34. NARRATIVE: A poem that tells a story.

35. ODE: A lengthy lyric poem typically of a serious or meditative nature and having an elevated style and formal stanza structure. Example: Sappho’s “Ode to a Loved One”.

36. PASTORAL: A poem that depicts rural life in a peaceful, romanticized way.

37. PETRARCHAN: A 14-line sonnet consisting of an octave rhyming abbaabba followed by a sestet of cddcee or cdecde

38. PINDARIC ODE: A ceremonious poem consisting of a strophe (two or more lines repeated as a unit) followed by a an antistrophe with the same metrical pattern and concluding with a summary line (an epode) in a different meter. Named after Pindar, a Greek professional lyrist of the 5th century B.C.

39. QUATRAIN: A stanza or poem consisting of four lines. Lines 2 and 4 must rhyme while having a similar number of syllables.

40. RHYME: A rhyming poem has the repetition of the same or similar sounds of two or more words, often at the end of the line. Read more about rhyme usage.

41. RHYME ROYAL: A type of poetry consisting of stanzas having seven lines in iambic pentameter.

42. ROMANTICISM: A poem about nature and love while having emphasis on the personal experience.

43. RONDEAU: A lyrical poem of French origin having 10 or 13 lines with two rhymes and with the opening phrase repeated twice as the refrain.

44. SENRYU: A short Japanese style poem, similar to haiku in structure that treats human beings rather than nature: Often in a humorous or satiric way.

45. SESTINA: A poem consisting of six six-line stanzas and a three-line envoy. The end words of the first stanza are repeated in varied order as end words in the other stanzas and also recur in the envoy.

46. SHAKESPEAREAN: A 14-line sonnet consisting of three quatrains of abab cdcd efef followed by a couplet, gg. Shakespearean sonnets generally use iambic pentameter. Example: Shakespeare’s “Sonnet 2″.

47. SHAPE: Poetry written in the shape or form of an object. This is a type of concrete poetry.

48. SONNET: A lyric poem that consists of 14 lines which usually have one or more conventional rhyme schemes.

49. SOUND: Intended primarily for performance, sound poetry is sometimes referred to as “verse without words”. This form is seen as the bridging between literary and musical composition in which the phonetics of human speech are used to create a poem.

50. TANKA: A Japanese poem of five lines, the first and third composed of five syllables and the other seven.

51. TERZA RIMA: A type of poetry consisting of 10 or 11 syllable lines arranged in three-line tercets.

52. VERSE: A single metrical line of poetry.

53. VILLANELLE: A 19-line poem consisting of five tercets and a final quatrain on two rhymes. The first and third lines of the first tercet repeat alternately as a refrain closing the succeeding stanzas and joined as the final couplet of the quatrain.

54. VISUAL: The visual arrangement of text, images, and symbols to help convey the meaning of the work. Visual poetry is sometimes referred to as a type of concrete poetry.

By Gary R. Hess from PoemsOfQuotes.

Next? Let me quote a Hausa adage as a recap "Amfanin ilimi, aiki da shi" i.e. The importance of having any knowledge, is putting it to use.

(c) 2014 Tijjani M. M.
All Rights Reserved

POET, HOW MANY POEM TYPES DO YOU KNOW?

...by Tijjani Muhammad Musa


POET, HOW MANY POEM TYPES DO YOU KNOW? http://goo.gl/4F0PKz
...by Tijjani Muhammad Musa 

Most poets start off in their toddling years writing what they assume to be "poems" with a free verse, and even that most are unaware that's what it is called. Many end up in that category without taking the trouble of learning more about their unique and special gift. 

A lot of poets or even those aspiring to be one, often write or come across one form of poem or another without actually knowing the type or style it is. Whereas they are suppose to know automatically which type of poem it is from its format the moment they see the way the poem is laid out. But most often both the "poets" and the readers can be found sailing in the sane boat as far as knowing the difference is concerned.

Like the proverbial saying 'In the city of the blind, the one-eyed man is king', and so, upon showing his scribbles he or she would bask in the praises and accolades of laymen, who usually would appreciate anything with the slightest, remote resemblance to poetry.

You hear titles like "king of poetry, master poet, Sire, maestro, champion poet etc" and words like "classic, brilliant, incredible, unbelievable, outstanding, amazing, etc" and similar words being poured by admiring friends, classmates, colleagues, non-poets etc in encouragement upon someone who knows next to nothing about poetry, just because he or she has potential, not yet or refused to be further developed.

Don't get it wrong, there is nothing wrong with encouraging someone who has talent to work on it to perfection. But, sadly the trend now is most of such raw, unrefined talented individuals let such encouragement get into their heads, assuming they are "good to go" anywhere as far as their assume prowess is concerned. Only for them to be subjected to real criticism and they go gaga.

Their immediate responses to such critiques, observations, corrections and so on can range from outright silence, ignoring questions, giving excuses where there are none, to retaliation, raining abuses, condemnation, ganging up, hatred and so on. Then finally, sobering up and the realization that there is work ahead, which most are unwilling or incapable of handling.

Sadly, some of them after such a sour, unexpected critical analysis by those who are learned about that talent of theirs, having their pumped up pride and ego punctured, the false confidence would crash, hurting them severely and badly, and instead of recovering, recuperating and taking such criticism as a challenge, then strive to learn their art properly, they tend to let such an encounter affect them negatively, making them abandon its practice entirely or it can even affect them "fatally", leading to their hating the ability in them or leading to depression and even suicide.

Well, so much for preambles. One of the best thing to do towards addressing any case of ignorance is to seek knowledge about it. What better way to know about anything than to "Read". As someone said, for any to become a good poet, one ought to have read at least 100 poems. 

Permit me to add that for any to consider himself or herself a poet in the first place, he or she should know at least ten (10), yes just 10 different type of poems. Let that be the starting point for any aspiring poet.

Now, here are over fifty (50) styles of poem writings written by Gary R. Hess for you to add to those you know already or for you to know afresh, if you know none at all.

Knowing always starts somewhere. So, read... http://goo.gl/4F0PKz
Most poets start off in their toddling years writing what they assume to be "poems" with a free verse, and even that most are unaware that is it is called. Many end up in that category without taking the trouble of learning more about their unique and special gift.

A lot of poets or even those aspiring to be one, often write or come across one form of poem or another without actually knowing the type or style it is. Whereas they are suppose to know automatically which type of poem it is from its format the moment they see the way the poem is laid out. But most often both the "poets" and the readers can be found sailing in the sane boat as far as knowing the difference is concerned.

Like the proverbial saying 'In the city of the blind, the one-eyed man is king', and so, upon showing his scribbles he or she would bask in the praises and accolades of laymen, who usually would appreciate anything with the slightest, remote resemblance to poetry.

You hear titles like "king of poetry, master poet, Sire, maestro, champion poet etc" and words like "classic, brilliant, incredible, unbelievable, outstanding, amazing, etc" and similar words being poured by admiring friends, classmates, colleagues, non-poets etc in encouragement upon someone who knows next to nothing about poetry, just because he or she has potential, not yet or refused to be further developed.

Don't get it wrong, there is nothing wrong with encouraging someone who has talent to work on it to perfection. But, sadly the trend now is most of such raw, unrefined talented individuals let such encouragement get into their heads, assuming they are "good to go" anywhere as far as their assume prowess is concerned. Only for them to be subjected to real criticism and they go gaga.

Their immediate responses to such critiques, observations, corrections and so on can range from outright silence, ignoring questions, giving excuses where there are none, to retaliation, raining abuses, condemnation, ganging up, hatred and so on. Then finally, sobering up and the realization that there is work ahead, which most are unwilling or incapable of handling.

Sadly, some of them after such a sour, unexpected critical analysis by those who are learned about that talent of theirs, having their pumped up pride and ego punctured, the false confidence would crash, hurting them severely and badly, and instead of recovering, recuperating and taking such criticism as a challenge, then strive to learn their art properly, they tend to let such an encounter affect them negatively, making them abandon its practice entirely or it can even affect them "fatally", leading to their hating the ability in them or leading to depression and even suicide.

Well, so much for preambles. One of the best thing to do towards addressing any case of ignorance is to seek knowledge about it. What better way to know about anything than to "Read". As someone said, for any to become a good poet, one ought to have read at least 100 poems.

Permit me to add that for any to consider himself or herself a poet in the first place, he or she should know at least ten (10), yes just 10 different type of poems. Let that be the starting point for any aspiring poet.

Now, here are over fifty (50) styles of poem writings written by Gary R. Hess for you to add to those you know already or for you to know afresh, if you know none at all.

Knowing always starts somewhere. So, read...

50 POEM TYPES
Written by Gary R. Hess

1. ABC: A poem that has five lines and creates a mood, picture, or feeling. Lines 1 through 4 are made up of words, phrases or clauses while the first word of each line is in alphabetical order. Line 5 is one sentence long and begins with any letter.

2. ACROSTIC: Poetry that certain letters, usually the first in each line form a word or message when read in a sequence. Example: Edgar Allan Poe’s “A Valentine”.

3. BALLAD: A poem that tells a story similar to a folk tale or legend which often has a repeated refrain. Read more about ballads.
Ballade: Poetry which has three stanzas of seven, eight or ten lines and a shorter final stanza of four or five. All stanzas end with the same one line refrain.

4. BLANK VERSE: A poem written in unrhymed iambic pentameter and is often unobtrusive. The iambic pentameter form often resembles the rhythms of speech. Example: Alfred Tennyson’s “Ulysses”.

5. BIO: A poem written about one self’s life, personality traits, and ambitions. Example: Jean Ingelow’s “One Morning, Oh! So Early”.

6. BURLESQUE: Poetry that treats a serious subject as humor. Example: E. E. Cummings “O Distinct”.

7. CANZONE: Medieval Italian lyric style poetry with five or six stanzas and a shorter ending stanza.

8. CARPE DIEM: Latin expression that means ‘seize the day.’ Carpe diem poems have a theme of living for today.

9. CINQUAIN: Poetry with five lines. Line 1 has one word (the title). Line 2 has two words that describe the title. Line 3 has three words that tell the action. Line 4 has four words that express the feeling, and line 5 has one word which recalls the title. Read more about cinquain poetry.

10. CLASSICISM: Poetry which holds the principles and ideals of beauty that are characteristic of Greek and Roman art, architecture, and literature.

11. CONCRETE: Also known as “size poetry”. Concrete poetry uses typographical arrangements to display an element of the poem. This can either be through re-arrangement of letters of a word or by arranging the words as a shape. Read more about concrete poetry.

12. COUPLET: This type of poem is two lines which may be rhymed or unrhymed. Example: Walt Whitman’s “To You”.

13. DRAMATIC MONOLOGUE: A type of poem which is spoken to a listener. The speaker addresses a specific topic while the listener unwittingly reveals details about him/herself.

14. ELEGY: A sad and thoughtful poem about the death of an individual. Example: Gary R. Hess’s “1983”.

15. EPIC: An extensive, serious poem that tells the story about a heroic figure.

16. EPIGRAM: A very short, ironic and witty poem usually written as a brief couplet or quatrain. The term is derived from the Greek epigramma meaning inscription.

17. EPITAPH: A commemorative inscription on a tomb or mortuary monument written to praise the deceased. Example: Ben Jonson’s “On My First Sonne”.

18. EPITHALAMIUM (Epithalamion): A poem written in honor of the bride and groom.

19. FREE VERSE (vers libre): Poetry written in either rhyme or unrhymed lines that have no set fixed metrical pattern.

20. FOUND: Poetry created by taking words, phrases, and passages from other sources and re-framing them by adding spaces, lines, or by altering the text with additions or subtractions.

21. GHAZAL: A short lyrical poem that arose in Urdu. It is between 5 and 15 couplets long. Each couplet contains its own poetic thought but is linked in rhyme that is established in the first couplet and continued in the second line of each pair. The lines of each couplet are equal in length. Themes are usually connected to love and romance. The closing signature often includes the poet’s name or allusion to it.

22. HAIKU: A Japanese poem composed of three unrhymed lines of five, seven, and five morae, usually containing a season word. Read more about haiku poetry.

23. HORATIAN ODE: Short lyric poem written in two or four-line stanzas, each with its the same metrical pattern, often addressed to a friend and deal with friendship, love and the practice of poetry. It is named after its creator, Horace.

24. IAMBIC PENTAMETER: One short syllable followed by one long one five sets in a row. Example: la-LAH la-LAH la-LAH la-LAH la-LAH. Used extensively in sonnets.

25. IDYLL (Idyl): Poetry that either depicts a peaceful, idealized country scene or a long poem telling a story about heroes of a bye gone age.

26. IRREGULAR (Pseudo-Pindaric or Cowleyan) ode: Neither the three part form of the pindaric ode nor the two or four-line stanza of the Horatian ode. It is characterized by irregularity of verse and structure and lack of correspondence between the parts.

27. ITALIAN SONNET: A sonnet consisting of an octave with the rhyme pattern abbaabba followed by six lines with a rhyme pattern of cdecde or cdcdcd. Read more about Italian sonnets.

28. LAY: A long narrative poem, especially one that was sung by medieval minstrels.

29. LIMERICK: A short sometimes vulgar, humorous poem consisting of five anapestic lines. Lines 1, 2, and 5 have seven to ten syllables, rhyme and have the same verbal rhythm. The 3rd and 4th lines have five to seven syllables, rhyme and have the same rhythm.

30. LIST: A poem that is made up of a list of items or events. It can be any length and rhymed or unrhymed.

31.LYRIC: A poem that expresses the thoughts and feelings of the poet. Many songs are written using this type of writing.

32. MEMORIAM STANZA: A quatrain in iambic tetrameter with a rhyme scheme of abba — named after the pattern used by Lord Tennyson

33. NAME: Poetry that tells about the word. It uses the letters of the word for the first letter of each line.

34. NARRATIVE: A poem that tells a story.

35. ODE: A lengthy lyric poem typically of a serious or meditative nature and having an elevated style and formal stanza structure. Example: Sappho’s “Ode to a Loved One”.

36. PASTORAL: A poem that depicts rural life in a peaceful, romanticized way.

37. PETRARCHAN: A 14-line sonnet consisting of an octave rhyming abbaabba followed by a sestet of cddcee or cdecde

38. PINDARIC ODE: A ceremonious poem consisting of a strophe (two or more lines repeated as a unit) followed by a an antistrophe with the same metrical pattern and concluding with a summary line (an epode) in a different meter. Named after Pindar, a Greek professional lyrist of the 5th century B.C.

39. QUATRAIN: A stanza or poem consisting of four lines. Lines 2 and 4 must rhyme while having a similar number of syllables.

40. RHYME: A rhyming poem has the repetition of the same or similar sounds of two or more words, often at the end of the line. Read more about rhyme usage.

41. RHYME ROYAL: A type of poetry consisting of stanzas having seven lines in iambic pentameter.

42. ROMANTICISM: A poem about nature and love while having emphasis on the personal experience.

43. RONDEAU: A lyrical poem of French origin having 10 or 13 lines with two rhymes and with the opening phrase repeated twice as the refrain.

44. SENRYU: A short Japanese style poem, similar to haiku in structure that treats human beings rather than nature: Often in a humorous or satiric way.

45. SESTINA: A poem consisting of six six-line stanzas and a three-line envoy. The end words of the first stanza are repeated in varied order as end words in the other stanzas and also recur in the envoy.

46. SHAKESPEAREAN: A 14-line sonnet consisting of three quatrains of abab cdcd efef followed by a couplet, gg. Shakespearean sonnets generally use iambic pentameter. Example: Shakespeare’s “Sonnet 2″.

47. SHAPE: Poetry written in the shape or form of an object. This is a type of concrete poetry.

48. SONNET: A lyric poem that consists of 14 lines which usually have one or more conventional rhyme schemes.

49. SOUND: Intended primarily for performance, sound poetry is sometimes referred to as “verse without words”. This form is seen as the bridging between literary and musical composition in which the phonetics of human speech are used to create a poem.

50. TANKA: A Japanese poem of five lines, the first and third composed of five syllables and the other seven.

51. TERZA RIMA: A type of poetry consisting of 10 or 11 syllable lines arranged in three-line tercets.

52. VERSE: A single metrical line of poetry.

53. VILLANELLE: A 19-line poem consisting of five tercets and a final quatrain on two rhymes. The first and third lines of the first tercet repeat alternately as a refrain closing the succeeding stanzas and joined as the final couplet of the quatrain.

54. VISUAL: The visual arrangement of text, images, and symbols to help convey the meaning of the work. Visual poetry is sometimes referred to as a type of concrete poetry.

By Gary R. Hess from PoemsOfQuotes.

Next? Let me quote a Hausa adage as a recap "Amfanin ilimi, aiki da shi" i.e. The importance of having any knowledge, is putting it to use.

(c) 2014 Tijjani M. M.
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